Ashes of the Roman Empire
Prologue:
The Descent
The
year is 165 CE. Rome—the eternal city, bloated by victory and stretched thin by
war—is about to bleed from within. Soldiers returning from the eastern
campaigns carry not just tales of Parthia’s heat and blood, but something far
worse: a sickness that shows no mercy. Within weeks, bodies are burning on
every pyre, smoke coiling like lost prayers into the sky.
At the
same time, a shimmer of light breaks through the fabric of time in a wheat
field outside the Servian Wall. Two figures emerge, cloaked not in togas, but
in silver-threaded cloaks that gleam under the Roman sun.
They
are not gods, though they will be seen as such. They are scientists. Travelers.
Messengers of mercy from the year 2473.
Part
I: The Mission
Elias
Marik and Dr. Ilena Vo—a historian and a biomedical engineer—have come with one
goal: to alter the tide of the Antonine Plague. Their window is narrow. The death toll, unchecked, will spiral into
millions, and with it the eventual weakening of Rome’s core: its army, its
economy, its faith.
Ilena
carries in her bio-case a synthesized antiviral serum derived from 26th-century
immunogenetics, tailored from what modern analysis revealed was a mutated
strain of variola major—smallpox.
They
do not expect thanks. They expect to endure suspicion, resistance, perhaps
death.
They
do not expect Galen
himself.
Part
II: The Healer of Pergamon
In
Rome’s heart, the famed physician Galen tends to patients with trembling hands
and furrowed brow. He burns herbs and chants prayers, not from piety but
desperation. Then come the two foreigners—speaking oddly-accented Latin and
bearing a miraculous tincture that, when tested on a dying soldier, restores him to life within two
days.
Galen
is skeptical. He is also desperate.
Ilena
introduces the concept of immunity, of disease vectors, of viral replication.
Elias explains the future—partially, vaguely, cloaked in metaphor and prophecy.
They
claim to be sent by a “greater Republic,” and Galen, ever the observer, notes
their strange garb and luminous tablets that show stars in motion and blood
cells dancing like spirits in oil.
But
even as the miracle spreads, so does doubt.
Part
III: The Collapse Within
Word
travels faster than plague. The Senate suspects sorcery. Priests claim the gods
are offended. When a prominent patrician’s son dies after treatment, riots
erupt.
Elias
is nearly stoned in the Forum. Ilena is accused of poisoning wells. They flee
under Galen’s protection to the Temple of Asclepius, where a triage of the sick
grows nightly.
Still,
thousands are dying each day.
The
serum must be synthesized anew, and their equipment is failing—time radiation
degrading the stabilizers.
Ilena
grows gaunt and hollow-eyed from overwork. Elias begins dreaming in Latin,
haunted by visions of Rome’s fall, of streets empty and marble ruins swallowed
by vines.
Part
IV: The Emperor’s Hand
A
summons from the Emperor, Marcus Aurelius, follows weeks later. He is worn and
grieving, having lost his co-emperor, Lucius Verus, to the plague. Yet his mind
is sharp.
Ilena
presents the remaining vials to him, and Elias speaks of what will come—the
dwindling legions, the crumbling borders, the fading of Roman light. Not as a
threat, but as a truth. History’s cold breath down the back of time.
Marcus
listens. And weeps.
He
issues a decree: distribute the cure.
Protect the healers. Silence the priests who sow fear.
Rome,
at last, listens.
Part
V: The Cost of Hope
The
serum spreads. Ilena synthesizes a weakened form of the virus to train the
immune systems of the uninfected—an early vaccine. The death toll plummets
within weeks.
Galen
records everything. His writings shift from mere observation to impassioned
testimony: of time-walkers and a plague stayed by the hand of fate.
But
then, tragedy strikes.
Ilena
contracts a mutated form of the virus—one not seen in their databases. The
serum fails her. Despite Elias’s pleas, despite Galen’s tears, she dies in a makeshift
hospice, whispering through cracked lips, “Don’t
let history forget us.”
Epilogue:
Echoes in the Ashes
Elias
activates the return protocol alone.
As he
disappears in a flicker of light, Galen places Ilena’s ashes in a silver urn
marked with her name in two scripts: Latin and the unrecognizable glyphs of the
future.
History
would still wound Rome. The empire would falter, not from plague—but from
pride, ambition, and the weight of too many gods.
But it
would not crumble.
Not then.
In
2473, deep in the archives of Old Earth, a scroll encased in transparent foil
reads:
“There
came from the stars a woman with fire in her eyes and salvation in her touch.
Rome owes her not just its life—but its soul. May we remember her when the
stars go cold.”
Signed,
Galen of Pergamon.
166 CE.
M.D. Smith
M.D. Smith of Huntsville, Alabama, writer of over 350 flash stories, has published digitally in Frontier Times, Flash Fiction Magazine, Bewilderingstories.com, and many more. Retired from running a television station, he lives with his wife of 64 years and three cats. https://mdsmithiv.com/
