The End
on summer’s evenings
soft. constant. but no train whistles wail
clarinet-like, wafting through windows
in the still of night
the stars are brighter here
but where’s the rush of Friday-night laughter
like a goose or constipated Adam Sandler, and what
of sputtering engines
and headlight processions?
all I hear are distant trucks, which the hills eat
up
pines sway on stormy nights
and rain whispers a hushed lullaby
but where are the butter-colored lamps
that blurred on clickety-clacking sidewalks,
a glow through blackened skies
I live at the end of a country road
necessity needed me
of course, they say the end of a road’s always best
but sometimes you need one train horn
one neon sign from a bar
one ballad bawling from a pink and purple jukebox
and people knowing your name
but all too soon they’re just flickering
like fireflies on a warm June night
things you run to catch
before you trip in the dark
and can’t get up
Yashar Seyedbagheri
Yash Seyedbagheri is a graduate of Colorado State University's MFA program in fiction. His stories, "Soon” and “How To Be A Good Episcopalian,” have been nominated for Pushcarts. He has also had work nominated for The Best of the Net and The Best Small Fictions. A native of Idaho, Yash’s work is forthcoming or has been published in The Journal of Compressed Creative Arts, Write City Magazine, and Ariel Chart, among others. Yash lives in Garden Valley, Idaho.
for me the best verse takes you someplace far from home
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